Tag: Streaming
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A Tale of Two Shows about Profiling and Criminal Psychology: Mindhunter and Manhunt: Unabomber
IN ENGLISH. In the fierce competition of the streaming giants, original content is a key battleground. However, labels may be deceptive. Arguing that consumption modes help shape storytelling strategies, Søren Bastholm explores the two alleged ‘Netflix Originals’ – Mindhunter and Manhunt: Unabomber – and the differences between the show Netflix commissioned and the one Netflix picked up after its premiere.
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When Television Grew Up: David Simon, Modern America and the Maturing of the TV landscape
FEATURE. The showrunner David Simon was a central flagship for HBO, when they revolutionized the TV-landscape in the beginning of the 2000s, and even in the highly competitive streaming landscape of today he continues to create relevant drama series that often utilize the past to comment on the present. In this interview, Simon talkes about his approach to realism and long-form storytelling and his views on the changes in American society and the American TV landscape.
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Tænk på Fincher – Mindhunters titelsekvens
FEATURE. Den 16. august får 2. sæson af Mindhunter premiere. I den anledning rettes blikket her mod seriens titelsekvens og særligt dens brug af semi-subliminale indstillinger. Disse har ifølge Søren Rørdam Bastholm det dobbelte sigte at henlede opmærksomheden på seriens auteur, David Fincher, og at få Netflixbrugerne til at undlade at benytte sig af streamingtjenestens “skip intro” funktion.
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Spring ikke introen over: The Jinx’ titelsekvens
EN SCENES ANATOMI. Hvor tit trykker du på “SPRING INTRO OVER”, når du streamer? Dorte Granild prøver i denne uges sceneanatomi af titelsekvensen til The Jinx at vise, hvorfor du IKKE skal gøre det. Artiklen udspringer af arbejdet med en længere artikel om true crime-genren til den kommende 16:9-bog Streaming for viderekomne.