Tag: Forår 2021
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Thai Dreams & Global Visions: The Cinema of Apichatpong Weerasethakul
IN ENGLISH. Apichatpong Weerasethakul is a Thai filmmaker, but his work seems to exist exclusively in the consciousness of those outside his native land. In this feature, Rasmus Helms explores the director’s unique cinematic voice.
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Beyond Television: Interview med Andreas Halskov
INTERVIEW. Den 15. februar udgiver 16:9s egen Andreas Halskov sin nye bog, Beyond Television: TV Production in the Multiplatform Era, der søger at kortlægge det moderne amerikanske tv-serie-landskab i al sin kompleksitet. Da Halskovs bog adskiller sig fra de fleste akademiske film- og tv-bøger ved sin integrerede brug af interviews med branchefolk, har vi fundet det passende at interviewe ham i anledning af bogens udgivelse.
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Absurditetens grænseløse frirum: Den moderne animationssitcom
FEATURE. The Simpsons og Family Guy er ikke længere de frækkeste drenge i de voksnes animationsklasse. Moderne animerede sitcoms som Rick & Morty, Archer, Big Mouth og Close Enough har rykket på subgenrens grænser og taget absurditeterne til nye højder. I denne artikel stikker Jeppe Ank Jørgensen hovedet ind i de nye animationsseriers syrede universer og undersøger de overraskende sammenhænge mellem pruttehumor, samfundskritik, karnevaller og streamingtjenester.
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16:9 Talks: Michael Ruscio
16:9 TALKS. You can currently see his work in the thrilling TV series Your Honor, but the editor Michael Ruscio has also worked on modern cable classics like The Sopranos and Six Feet Under. In this interview conducted by Andreas Halskov, he talks about those two series, about appointment television and the art of editing.
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169 Seconds: Lust for Life
169 SECONDS. Thomas Vinterberg’s latest work, Another Round (2020), deals with the Danish drinking culture. Mads Mikkelsen plays a high school teacher who has lost his lust for life. The question is whether he is flying or falling in the last shot of the film? In this third edition of the 169 Seconds audiovisual format, Jan Oxholm analyzes the final scene and the dramatic use of the freeze frame technique.
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A Tale of Two Shows about Profiling and Criminal Psychology: Mindhunter and Manhunt: Unabomber
IN ENGLISH. In the fierce competition of the streaming giants, original content is a key battleground. However, labels may be deceptive. Arguing that consumption modes help shape storytelling strategies, Søren Bastholm explores the two alleged ‘Netflix Originals’ – Mindhunter and Manhunt: Unabomber – and the differences between the show Netflix commissioned and the one Netflix picked up after its premiere.